UNITED STATES 9,280 UNITED KINGDOM 3,444 GERMANY 3,002 FRANCE 1,615 SPAIN 1,402 ITALY 1,376 SOUTH KOREA 1,226 JAPAN 908 MEXICO 625 BRAZIL 440 COLOMBIA 352 THAILAND 254 SOUTH AFRICA 185 INDONESIA 143 NIGERIA 12 JAMAICA 3
GF RISING · WEEKLY

Japan — Week 38, 2026

SCORING WINDOW 2026-08-22 → 2026-09-18 · 47 ARTISTS · 434 VENUES SCORED

GROUND FREQUENCY DATA DESK — EAST ASIA

Japan scene: a landmark silhouette over a skyline drawn from this week's Japan chart
JP

Artists scored

47

Venues scored

434

Tracked events · 28d

908

Chart depth

Top 20 / 30

01 · ARTISTS Artists whose momentum is building fastest in this scene
TOP 20 OF 47 SCORED
RKΔARTISTTIERGENRELAST WKSCORE
1 = Nanatsukaze National DJ / Electronic 1 88.0 3 ▲1 Masayoshi Takanaka Continental Pop / Hiphop 4 85.1 10 ▼1 Ayumu Imazu Continental Pop / Hiphop 9 78.8
02 · VENUES The rooms pulling ahead in this scene
TOP 30 OF 434 SCORED
RKΔVENUETIERCITYLAST WKSCORE
3 ▲8 Live House DaisyBar Local Tokyo 11 90.0 5 ▲18 PLASTIC THEATER Local Hokkaido 23 89.4 9 ▼7 Psyon Local Okinawa 2 87.9 14 ▲13 Unit 13 National Tokyo 27 85.1 15 — SILVER MACHINE Sapporo Local Hokkaido — 84.0 16 ▲3 Live House O-Nest Local Tokyo 19 84.0 19 — UTOPIA DYSTOPIA-Shibuya Regional Tokyo — 83.4 20 ▼6 JUSTA COFFEE BAR Local Tokyo 14 82.4 24 — Z MARUYAMA Regional Tokyo — 80.2 30 ▼26 Live House Shelter Regional Tokyo 4 78.9

CONTINUE READING

The rest of this issue is for members

Free, and the account you already use on MiSFY opens it. No second password, no separate registration.

FREE · ALREADY A MEMBER? SIGN IN

THE ROOMS 1 ranked by who played them

Not the room's own growth — the momentum of the artists our appearance registry places on its stage, averaged per appearance over the trailing year. How the index is built.

75

HOW THIS CHART WORKS

GF Rising ranks momentum from multi-platform growth, consistency and acceleration signals, powered by MiSFY Score — the same scoring applied to two sides of the scene: artists and venues. Both chart in the country their tracked profile is registered to. We publish the evaluation areas and channels — never the weights. Full methodology