UNITED STATES 10,590 UNITED KINGDOM 4,075 GERMANY 3,349 FRANCE 1,922 SPAIN 1,615 ITALY 1,563 SOUTH KOREA 1,224 JAPAN 1,013 MEXICO 679 BRAZIL 460 COLOMBIA 388 THAILAND 299 SOUTH AFRICA 197 INDONESIA 166 NIGERIA 14 JAMAICA 3
GF RISING · WEEKLY

Japan — Week 39, 2026

SCORING WINDOW 2026-08-26 → 2026-09-22 · 226 ARTISTS · 434 VENUES SCORED

GROUND FREQUENCY DATA DESK — EAST ASIA

Japan scene: a landmark silhouette over a skyline drawn from this week's Japan chart
JP

Artists scored

226

Venues scored

434

Tracked events · 28d

1,013

Chart depth

Top 30 / 30

01 · ARTISTS Artists whose momentum is building fastest in this scene
TOP 30 OF 226 SCORED
RKΔARTISTTIERGENRELAST WKSCORE
8 — Paranoid Void National — — 86.2 9 ▼6 Masayoshi Takanaka Continental Pop / Hiphop 3 85.8 10 — SUPER JET KINOKO Regional — — 85.8 12 ▼2 Ayumu Imazu Continental Pop / Hiphop 10 85.1 15 — Chinese Football National — — 83.0 18 ▼17 Nanatsukaze National DJ / Electronic 1 81.7 23 — Reichi National — — 78.4 27 — Yugo Amano Regional — — 75.8
02 · VENUES The rooms pulling ahead in this scene
TOP 30 OF 434 SCORED
RKΔVENUETIERCITYLAST WKSCORE
3 = Live House DaisyBar Local Tokyo 3 90.0 5 = PLASTIC THEATER Local Hokkaido 5 89.4 9 = Psyon Local Okinawa 9 87.9 14 = Unit 13 National Tokyo 14 85.1 15 = SILVER MACHINE Sapporo Local Hokkaido 15 84.0 16 = Live House O-Nest Local Tokyo 16 84.0 19 = UTOPIA DYSTOPIA-Shibuya Regional Tokyo 19 83.4 20 = JUSTA COFFEE BAR Local Tokyo 20 82.4 24 = Z MARUYAMA Regional Tokyo 24 80.2 30 = Live House Shelter Regional Tokyo 30 78.9

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THE ROOMS 5 ranked by who played them

Not the room's own growth — the momentum of the artists our appearance registry places on its stage, averaged per appearance over the trailing year. How the index is built.

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HOW THIS CHART WORKS

GF Rising ranks momentum from multi-platform growth, consistency and acceleration signals, powered by MiSFY Score — the same scoring applied to two sides of the scene: artists and venues. Both chart in the country their tracked profile is registered to. We publish the evaluation areas and channels — never the weights. Full methodology