UNITED STATES 12,210 UNITED KINGDOM 4,544 GERMANY 3,597 FRANCE 2,139 SPAIN 1,930 ITALY 1,915 SOUTH KOREA 1,250 JAPAN 1,090 MEXICO 711 BRAZIL 583 COLOMBIA 450 THAILAND 329 SOUTH AFRICA 231 INDONESIA 208 NIGERIA 23 JAMAICA 6
GF RISING · WEEKLY

Japan — Week 40, 2026

SCORING WINDOW 2026-09-01 → 2026-09-28 · 226 ARTISTS · 434 VENUES SCORED

GROUND FREQUENCY DATA DESK — EAST ASIA

Japan scene: a landmark silhouette over a skyline drawn from this week's Japan chart
JP

Artists scored

226

Venues scored

434

Tracked events · 28d

1,090

Chart depth

Top 30 / 30

01 · ARTISTS Artists whose momentum is building fastest in this scene
TOP 30 OF 226 SCORED
RKΔARTISTTIERGENRELAST WKSCORE
8 = Paranoid Void National — 8 86.2 10 ▼1 Masayoshi Takanaka Continental Pop / Hiphop 9 85.8 11 ▼1 SUPER JET KINOKO Regional — 10 85.8 13 ▼1 Ayumu Imazu Continental Pop / Hiphop 12 85.1 15 = Chinese Football National — 15 83.5 18 = Nanatsukaze National DJ / Electronic 18 81.7 24 ▼1 Reichi National — 23 77.5 28 ▼1 Yugo Amano Regional — 27 75.5
02 · VENUES The rooms pulling ahead in this scene
TOP 30 OF 434 SCORED
RKΔVENUETIERCITYLAST WKSCORE
2 ▲14 Live House O-Nest Local Tokyo 16 90.9 4 ▼1 Live House DaisyBar Local Tokyo 3 90.4 7 — BAYSIS Local Kanto — 89.6 8 ▲22 Live House Shelter Regional Tokyo 30 88.6 15 ▼1 Unit 13 National Tokyo 14 85.7 17 ▼12 PLASTIC THEATER Local Hokkaido 5 84.6 19 ▼4 SILVER MACHINE Sapporo Local Hokkaido 15 84.2 20 ▲4 Z MARUYAMA Regional Tokyo 24 83.7 28 ▼8 JUSTA COFFEE BAR Local Tokyo 20 77.9 30 — LOFT HEAVEN 渋谷 Local Tokyo — 77.0

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THE ROOMS 5 ranked by who played them

Not the room's own growth — the momentum of the artists our appearance registry places on its stage, averaged per appearance over the trailing year. How the index is built.

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HOW THIS CHART WORKS

GF Rising ranks momentum from multi-platform growth, consistency and acceleration signals, powered by MiSFY Score — the same scoring applied to two sides of the scene: artists and venues. Both chart in the country their tracked profile is registered to. We publish the evaluation areas and channels — never the weights. Full methodology